Artist Sola Olulode in a bright blue jumpsuit standing confidently, hands in pockets. Behind them are two colourful, large canvases on a wall.

Sola Olulode

Brixton-based British-Nigerian artist Sola Olulode’s dreamy queer visions explore embodiments of British Black Womxn and Non-Binary Folx. Working with various mediums of natural dyeing, batik, wax, ink, pastel, oil bar, and impasto she develops textural canvases that explore the fluidities of identities. Drawing inspiration from lived experience, friends, and cultural reference points to centre Black Queer Womxn, Olulode emphasises the integral need of representation and celebration of queer intimacies. 

Her utopian scenes celebrate relationships that transcend crude notions of queer sexuality, her figures exemplify the warm embrace of queer love, a temporal space to bathe in memories of intimacies abundant with scenes of profoundly deep tender connections. Envisaging a world reflective of the celebration of her own identities Olulode brings to life representation and visibility of Black Queer lived experiences. Her figures represent multifaceted complex individuals and the energy they hold in their bodies relishing in a boundless temporality of self-validation and joy. 

Olulode received a BA in Fine Art Painting from the University of Brighton in 2018. Since graduating she has succeeded residencies with solo shows: von Goetz, Moving in the Bluish Light (2018); Lewisham Art House, Hold My Hand (2019); V.O Curations, Where the Ocean Meets the Beach (2020); and featured in the V&A’s In the Palm of Your Hands (2020). Various group exhibitions include: BBZ BLK BK: Alternative Graduate Show (2018); Twilights of the Idols (2020), Alice Black; Build Love Break Walls (2020), Shado Magazine; Blacklisted: An Indefinite Revolution (2020), Christie’s Education; and most recently When Shit Hits the Fan (2020), Guts Gallery (online).

Olulode received a BA in Fine Art Painting from the University of Brighton in 2018 and currently lives and works in London.