In my artwork, I am interested in the correlation between colour, form and surface. My work often has a soft and organic expression, and the surfaces are tactile. I am fascinated by the ability of the glass to communicate light, detail, and depth.

In the Botanical Structure series, I am investigating structures only visible in a microscope. The work does not represent scientifically correct copies of nature, instead, they are my poetic translations of what could be seen in nature. The work is made of elements produced in the hot shop and later fused and cold-worked extensively to get the right expression.